There is no dancing around the point: drop in your media, transcode, move on. Its goal is to get your footage ready for the rest of the editing process as quickly as modern technology allows, and it has surprisingly met this goal.ĮditReady's interface is a wonderful case study in form closely following function. The proliferation of cameras shooting QuickTime movies means that more footage is being shot with greater ease, but it's not footage that feeds directly into the editing process, so it takes some prep work. And EditReady is designed with the future in mind - it’s ready to adopt new formats and workflows.ĮditReady is a professional-grade video transcoder that launches you from Production to Post Production as fast as possible. It leverages hardware accelerated video decoding, OpenCL image processing, and every CPU cycle your system has to spare. Modern, Blazing Fast, Ready for the Future - EditReady is designed to take advantage of all of the power available on modern Macs.You can even use metadata to generate filenames for your transcoded files. Manually add location data if your camera didn’t store it, or set a reel name for all of your files. Modern cameras store GPS data, lens settings, diagnostic data, and more. Smart Metadata Editing - EditReady provides a rich metadata viewer and editor. EditReady also allows you to override the framerate on your converted files, for pristine slow-motion with your 60p or 120p footage. You can apply LUTs to your video during conversion to set a specific look or convert your Log footage into Linear. More than just transcoding - In addition to transcoding to professional formats like ProRes, DNxHD, and H.264, EditReady makes it easy to prep your footage for screening and editing.MOV, MP4 and MXF media can all be quickly converted to edit ready quicktime movies in ProRes or DNxHD. They are making great progress on this workflow.EditReady provides easy, fast and powerful transcoding for video professionals, without an overwhelming interface or outdated format choices. If the "other" tutorials you are looking at are the "old" ones, linked in the top of that thread I linked to - the Assemble Rough cuts original tutorials - the UI interface has changed A LOT. The sign that it is selected is that the background around it is greyer than the rest of the background.īut if it is ON, then as soon as you select text in the transcript, you will see in/out highlights appear in the Timeline, Program Monitor, and Source Monitor.īTW, I prefer their "old" text editing workspace which shows both Source and Program Monitor rather than collapsing them in one panel. Even when unselected, the brackets look lit up. It is very hard to see whether it is set or not. Do 3-Point Editing (Insert content from Source to Sequence)īe sure you have selected the icon "Automatically set in/out points" (the 2 curly brackets: ).Set up the Text-Based Editing Workspace.Transcribe your footage for Text-Based Editing.Text-Based Editing is available in the Premiere Pro (Beta) which you can download and install separately from the current Premiere Pro release.īecause Text-Based Editing is a new way of working in Premiere Pro (Beta), we have created a Text-Based Editing Workspace which provides more screen real estate for the Text Panel and places the Source Monitor and Program Monitor in the same window. We’ve been working hard on Text-Based Editing, and we want your feedback. Transcribe your footage upon import, search for key moments, cut and paste sentences, and watch the clips in your timeline follow your edits. I am pleased to introduce you to Text-Based Editing in Premiere Pro (Beta), which makes assembling a rough cut as simple as editing a Word document.
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